Tag Archives: events

GOOD VIBRATIONS :: TIJUANA PANTHERS

#, #

This is Jane, chiming in (per Bobby’s request) with opinions about music. Hello.

A few nights ago I attended the Tijuana Panthers show at the Bootleg Theater, and I have to say, it was pretty rowdy, and not just for a band of childhood friends who grew up going to church together. I mean, the Long Beach trio, made up of Chad Wachtel (guitarist), Phil Shaheen (drummer), and Dan Michcoff (bassist), erupted the venue, drawing around-the-corner lines and rockus stage-divers who got violently thrown out of the venue by 300 lbs security guards (using unnecessary force on slender white dudes 1/10 of their size). Also, not to date myself, or this article, but it was a school night, and I hate lines, and I stood outside for least 30 minutes before getting let inside of this show, and it didn’t bother me one bit. THAT’S HOW AWESOME THEY ARE.

Signed to LA-based Innovative Leisure (the good folks behind our favorite excuse for day-drinking, Lunch Beers), alongside The Hundreds blog vets Hanni El Khatib and Nick Waterhouse, they play surf-pop-power-tunes that go down smooth like a mango daiquiri on the beaches of Tahiti. Personally, when I listen to their music, I’m mentally transported into The Endless Summer or maybe it’s Point Break, and I’m riding the most perfect wave into the sunset, probably wearing this. Dan, Phil, and Chad, aka Tijuana Panthers, make music that epitomizes all the best stereotypes about California cool, and are set to release their new album, entitled Semi-Sweet, on May 28th. Just in time for summer, I have a feeling its degree of sweetness will be more than just semi.

If you’re a local, it is highly advised that you attend their show at The Well in Downtown LA on May 15th. Go forth for photos and post-show interview.

Have you played in Tijuana before?

No, we’ve been down to Mexico plenty of times to surf and all that, but since we’ve been a band, we haven’t. It’s a culture we admire heavily. My dad’s born and raised in Mexico, and we have a huge Hispanic culture in Southern California and Long Beach. It’s a big homage. We’ve been offered to play, but it hasn’t been the right thing yet.

Are you guys big surfers?

Growing up we were. We all grew up surfing together, but we don’t like to be those guys. We love the culture. This is Phil talking  now, I’m better than a lot of the bands tonight. I don’t know how they surf, but I’m better than them. We love surfing and we’ve done it for a long time, but we’re not rippers. I let other people go in front of me, there’s no aggro-surfing. We’re all just mellow dudes. So to answer your question, yes.

You guys grew up going to Church together?

Yes.

How has that carried over into what you guys do now?

Chad: For me, a lot. That’s how I developed my rhythm. I started playing guitar and the pastor said, “Hey, Chad, I want you to get up there and lead worship songs.” I was scared, but that helped develop me as a musician. I’m influenced by some Christian alternative music from the ’80s. Some of it’s really cool, like The 77s and The Lifesavers.

But you wouldn’t want to be known as a Christian band? Or you are a Christian band and I’ve just never heard that before and I sound like an idiot?

Chad: I’m fine with that, but we’re not, per say. Maybe I’ll start a side project…

Dan: We’re just doing our thing. If we’re Christian, we’re Christian. We don’t promote it as that. We don’t all have the same beliefs. I think we would broadly say we’re not a Christian band, in the sense that we’re not trying to actively get involved with those circles as a genre. As dudes, it’s a heavy spiritual path for us all, and I think the Christian path is a valid one for all of us.

I think that’s rad. How many people can play the Bootleg stage and say, “Yeah, we went to church together.”

Phil: I think a lot of people up there wouldn’t claim that, even if they did.

Dan: I have to say, I met the most special people in my life in Church…and by special, I mean, the weirdest. I don’t mean they’re fucking nuts, I mean they’re nuts like they build, they create, they introduced me to music, they are the people who’ve inspired me throughout my life.

Phil: I think we all had to figure out what we were doing early on, so we had to mess around with stuff. That’s why a lot of us from Church picked up things and became artists.

Chad: Last thing, Phil had a joke. Let’s be clear, this is Phil’s joke, not mine. There are these girls we played with, they are cool girls, good musicians. And they were Jewish. And we started talking about that before the show, and Phil goes, “This is like a battle between the Christian and The Jews.” They didn’t think it was funny.

It’s kind of funny. Lastly, do you like Panthers…the animal.

Phil: Ya, they’re okay. I like dogs. Chad likes cats.

Chad: I like dogs and cats.

Ok. I think I want to end with that. Let’s all go watch Bass Drum of Death. 

Words by Jane Helpern
Photos by Nathaniel Wood

 

LENS REVERSAL :: VAN STYLES

#, #

Go behind-the-scenes with Van Styles (VISUAL) as he prepares for his upcoming exhibit, #NotBadForAPhotoShow, presented by The Hundreds.

photos and video by Zach Marshall

#NOTBADFORAPHOTOSHOW

#

P&C S. S. :: GRAND OPENING

#, #

Congrats to Casey Veggies, Joshton Peas, and Anwar Carrots on the success of their new shop. It’s inspiring to see the new generation making moves and doing big things. To mark the occasion, we released a collaboration t-shirt with these guys, which may or may not be sold out. Stop by 311 Edinburgh Ave. to show your support and find out. And remember, kids, veggies are good for you.

by Jane
photos by Zach Marshall

The Hundreds X Grateful Dead Pop-Up Shoppe :: Opens Tomorrow

#

If you’re in SF, or just a road trip away, join us for The Hundreds X Grateful Dead‘s Pop-Up Shoppe. One week only. Located at 1429 Haight Street, San Francisco (True Clothing). It’s gonna be long, strange weekend. Happy 4/20 everybody!

CRAOLA :: “STOP HAUNTING ME”

#

If you live in Los Angeles, and you like art, or if you just enjoy people-watching and imbibing free booze at art shows, Saturday night was your lucky night. Between Hanni El Khatib at HVW8, Tofer Chin at New Image, and Greg “Craola” Simkins at Merry Karnowsky, the gallery scene was poppin’ off (yes I said that).

For our first stop of the evening, we visited Merry Karnowsky on La Brea for some pre-show conversation with legendary-graffiti-writer-turned-fine-artist, Greg “Craola” Simkins. His latest solo exhibit “Stop Haunting Me” is doing double duty as both a twenty year retrospective and a showplace for his latest paintings, many of which are fantastical renderings of flora and fauna, inspired by living creatures and other fictitious, bug-eyed, rabbit-eared beings. Like a mad surrealist scientist, who uses imagination on canvas, Simkins explores the regrets, fears, decisions, and slightly warped species that keep people awake at night… and may one day come back to haunt us. On view at Merry Karnowsky through May 4th. Continue on for interview and photos:

So this show commemorates twenty years of making art under the name “Craola.” Is that right?

I’ve been doing it since I was a little kid, but when I got the name “Craola” is when I started to take it seriously. Doing graffiti under that name, everything became more serious, because you’re thinking about how you can get your name out there now. It just kind of evolved from there. Graffiti was a spring board for other things.

What would you, Greg, the fine artist you are now, tell Craola, the graffiti artist you were back then?

When I first started doing graffiti, it wasn’t to be showing in galleries. It wasn’t to be Mr. Artist. It was to have fun. But I also wanted to be good at something, It felt like a sport, something I could do well at and progress with. I never imagined I’d be showing in galleries, or that people would be buying my books, and all that sort of shit. It’s mind-blowing. It’s weird. People whose art I grew up looking at, they’re at my show looking at my art now, too.

Is there anything you miss about the struggle of the early days?

It’s different now. I was working tons of jobs, as a waiter, a janitor, a pizza delivery boy. I was doing clothing design for horrible street brands like JNCO jeans for a minute there.

I had a pair of those.

It was a good learning experience. I worked with so many amazing artists at that spot, like Kofie and Axis. My friends, who are designers and art directors at Vans now, are people I worked under at JNCO. It was a good training ground. But there was always the side hustle, trying to do my own personal artwork while doing all of that. I do miss painting walls like I used to. I used to do it every weekend, on Melrose, on the East side, painting everywhere. I got a call the other day from the WAI, one of my other crews, and they were like “Hey, we’re heading to South Central, you gotta come paint with us.” I was like “Hell yes.” I went and got some spray paint, started driving on the freeway, and then I realized I had to go pick up my kids, and that I wouldn’t be able to make it  there and back in traffic. It’s different now. Partly just growing up and having a family. My painting now is separate from my graffiti stuff, but still intertwined. I always had the stories in my head, but now I know how to push them out because of the graffiti.

How has the blurring of lines between what constitutes “Street Art” and “Fine Art” affected your career?

Even before the Art In The Street Shows started happening, I was already showing my surrealist work in galleries, but it was still injected with my graffiti style. Things have been steadily progressing over the last ten years, and I just hope things continue to move in that direction.

Graffiti is an intensely urban art form, while your newer paintings are super focused on the flora and fauna and nature. How has that progression occurred?

The nature stuff was always there, but kind of hidden a little bit. Then it really jumped back out into the forefront, and these days that’s where my head mostly stays. I was gonna be a vet, that was my whole life, until I turned 18. Then, all I wanted was to paint, draw, and be an artist. I was really lost in all that stuff – animals, animals, and more animals. I’m still a big bird enthusiast, I’ll call out the name of every single type of bird I see. My wife thinks I’m a total dork.

Any particular animal you feel a strong connection with?

I like Orcas. There is a piece in the show called Apex Predator, because the Killer Whale is the gnarliest creature in the sea, at the top of the food chain. Also I love rabbits, because of Watership Down. I try researching weird, obscure creatures, but it always just comes back to mixing them all together.

Do your kids think what you do is super cool?

My five-year-old does. The little one just likes to drool and crap his diaper. The older one is excited. He’s covered a bunch of walls already and gone on scissor lifts. I make him spray paint a little bit. He gets stoked. He’ll sit down with a paint brush, but he mostly just wants to ride a skateboard, which is fine with me. He calls himself “Craola 2,” that’s what he tells all his friends. I wonder what he’s going to end up doing. I’m not trying to push anything on him, but I give him all the tools he needs to try it.

I’m so jealous of kids whose parents support them in their creative weirdness.

He’ll probably be a mathematician.

Anything you want to say about Ben and Bobby? 

I met Bobby at ASR about ten years ago. I was painting shoes for Vans. He’s friends with some of my friends. Bobby invited me to be in a show at Brooklyn Projects. It’s cool watching them. The Hundreds is everywhere. It’s really sky-rocketed. I’ve always liked those guys, so it’s great to see their success.

I’ll tell them you said that. 

 

Photos by Rick Rodney
Words by Jane Helpern

CREATURE COMFORTS.

#, #

I’d always heard of Meggs, but didn’t get to fully appreciate the depth and breadth of his work until I was in Melbourne a couple years ago.  Back when I was speaking at Carbon in Australia, I became familiar with his Everfresh crew, wrote about them, and my eyes were opened to an entire new world of street/gallery art.

Well, Meggs is in Los Angeles at the moment, working on his solo exhibition opening this Saturday at Thinkspace, entitled “Heavenly Creatures.”

“Heavenly Creatures” showcases Meggs’ diverse and prolific style across multiple media – from paintings to sculptures and installations.  The theme is that of mythology and belief, with this dichotomy between good and evil.  Personally, I’m drawn to all his work incorporating skulls, because I’m really into skulls, and because I had to stop putting so many skulls on t-shirts because MMA brands ruined it for everyone, and apparently streetwear kids are afraid of skulls, but I digress… So yeah, the skulls… Wait, what was I saying?

So yeah, this was my favorite piece from the show:

“Heavenly Creatures” doesn’t actually open until Saturday night and it runs until April 27th at which time Meggs is off to D.C. to work on a mural, up to SF, and then back here.

We sat down and interviewed Meggs about the show. Be sure to watch the video to get a better understanding of what he’s working with, instead of just reading me complaining about skulls…

I didn’t even realize that Dabs and Myla were painting inside the bathroom, which can be a dark place to be if Meggs has eaten too much spicy Indian food.

These three are all Melbourne transplants and that brought up the point that there is so much incredible talent coming out of Australia these days.  Back when I spoke at that Carbon conference, there was a question asked by an audience member about how Aussies could break through to the greater world.  And my response then sorta foreshadowed what was to come.  Forever it seemed that Australia was at a disadvantage from a geographical standpoint.  That gap not only meant that Aussies could fall behind, but also that they had to work harder to prove themselves and make their unique, creative mark.  Which they did.

And then it all exploded forth once the Internet and social media brought everyone together and closed the physical disconnect.  For the first time, I feel, Australia is finally getting the recognition they truly deserve.  Just look at the Popular Page on Instagram and see how many top pix are coming by way of Down Under.  Dabs, Myla, Meggs, are just a few of the examples of how Australia is gradually taking over – not only from an art perspective, but fashion, popular music, skateboarding… You can easily name Aussies at the pinnacle of all those fields in 2013.

Anyways, this year’s Carbon conference will be held August 13th and 14th in Melbourne with not only Dabs Myla speaking, but Barry McGee, PM Tenore of RVCA, Eddie Huang, Jeff Hamada, Martha Cooper, Shawn Stussy… The fact that the premiere Street culture conference happens every year in Australia should be a slight indication that this is the region to watch for the next 10 years.

video by Zach Marshall
by bobbyhundreds

BENNY GOLD ART SHOW AND GRAND RE-OPENING

#, #

San Francisco is the kind of eccentric city with surprises around every street corner. Literally. Walking through the Mission District, you never know what kind of crazed, costumed  character is going to jump out and start rambling at you about the bible and Tony Bennett. And we hope it never changes. Last weekend, while visiting The City By The Bay to celebrate five eventful years in SF, The Hundreds hit up the grand re-opening party and first-ever art show of good friend of the brand and tastemaker, Benny Gold. The newly re-modeled  shop was wall-to-wall with attractive people convening to enjoy free beer and the sharp-tongued work of 90′s pop culture satirist, Justin Hager, whose unexpected mash-ups, like Top Ramen and the Ramones, and PBR and R. Kelly, are basically adulterated genius. Big congrats to Benny and Justin!

 

video by Zach Marshall
words by Jane Helpern 

 

DISSENT IS NOT DISLOYALTY.

#

This is the final week of a really cool exhibition going on at the Skirball Cultural Center in Los Angeles dedicated to 25 original protest posters from the ’60s and ’70s.  Those decades were some of my favorite in American history, although maybe romanticized and idealized for the widespread political action – but it’s inspiring to know that American youth were once largely swept away by passion and fervent defiance against the government and/or the powers that be, all in the name of a cause they believed in.  Does it still exist with the new generation, does the fire still burn?  Yeah I think so, the kids are always right.

by bobbyhundreds

SPOTLIGHT.

#

TK was onhand last Friday at Alexander Spit‘s album release party for A Breathtaking Trip to that Otherside, and here are some of her shots from the evening, including appearances by CBG, Sr. Homme, and Spintellect:

Don’t forget… The Hundreds X Alexander Spit HERE.

photography by TK
by bobbyhundreds